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sculture in terracotta, antichità, riproduzioni, d'arte antica, reperti, siti archeologici, civiltà greca, etrusca, romana | Greek, Etruscan and Roman.Pompeii Herculaneum
Terracottas Museum Pompeii Herculaneum - Mask of Silenus, Pompeii, 1st century A.D., terracotta sculpture, Pompeii, House of the Golden Cupids, mask theater of Ancient roman to be used as a design element. Painted Terracotta. The original comes from Napoli, Italy. Terrecotte Pompei Museo, Questa collezione di sculture in terracotta ripropone delle riproduzioni d'arte antica, reperti ritrovati nei più importanti siti archeologici del bacino Mediterraneo appartenenti alla civiltà greca, etrusca e romana | This collection of terracotta sculptures repeats reproductions of ancient art, artifacts found in the most important archaeological sites in the Mediterranean basin belonging to the civilization of Greek, Etruscan and Roman.Pompeii Herculaneum Museum.
Pompeii, Mask of Silenus
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Mask of Silenus, Pompeii, 1st century A.D., terracotta sculpture, Pompeii, House of the Golden Cupids, mask theater of Ancient roman to be used as a design element. Painted Terracotta. The original comes from Napoli, Italy.
Price: € 245.00
(Price: GB $178.85 - US $257.25)
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Reproduction of object of roman art, illustrations of theatrical masks, covering the entire face and head, with holes for the eyes and a small aperture for the mouth. Silenus the oscilla were decorative elements and brought good luck. They were hung on trees outside the house to dangle in the wind. Pompeii, 1st cent. A.D., House of the Gilded Cupids
Details:
- Material: terracotta sculpture
- Height: approx. 20 cm.
- Length: approx. 13 cm.
- Features: excellent resistance to all weather conditions: sun, rain, wind, frost, ice and durability in time.
The product of terracotta, reproduction of object of roman art.
The product of terracotta, reproduction is made, following with great care and attention the traditional techniques, diffused in Roman times and abandoned with time.
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These painted Terracottas never show actual masks on the actors in performance; they are most often shown being handled by the actors before or after a performance, that liminal space between the audience and the stage, between myth and reality. This demonstrates the way in which the mask was to ‘melt’ into the face and allow the actor to vanish into the role. Effectively, the mask transformed the actor as much as memorization of the text. Therefore, performance in ancient Greece did not distinguish the masked actor from the theatrical character.
Entirely handmade terracottas, we follow the Ancient Greek and Roman techniques: Every piece is therefore unique.
(code: 2566)
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